侯子超（b.1988)的实践涉及绘画和装置在内的多种媒介，关注当下文化语境中人与自然间的矛盾关系。他利用图像语言强调人造景观与真实自然的距离，以及徘徊于安稳花园与欲望荒野之间的理想环境。在电子图像观看习惯与艺术家绘画行为的对峙中，隐藏着古代占卜与数据算法间复杂且个人化的表达——通过图层的堆叠与信息提取，从而实现“混乱”画面与抽象意向间的微妙平衡。而风景对于侯子超，像是一个取之不竭的数据库，掏出几个字符，便能组合成这个“理想的景观”。 　　Hou Zichao's (b. 1988) practice involves a variety of media, including painting and installation, which focuses on the ambivalent relationship between man and nature in the current cultural context. His pictorial language emphasizes the distance between artificial landscape and nature, and an ideal environment that hovers between the garden of tranquility and the wilderness of desire. In the confrontation between the electronic image viewing habits and the artist's painting behavior, a complex and personal expression between ancient divination and data algorithm is hidden - through the superimposition of pictorial layers and the extraction of information, a delicate balance between "chaotic" images and abstract intentions is achieved. For Hou Zichao, the landscape is like an inexhaustible database that can be assembled into an "ideal landscape" by pulling out a few characters.